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Roger Mears

Founding Partner

I established Roger Mears Architects in 1980 and over the time since then the practice has developed considerable expertise in the alteration, extension and repair of historic buildings, both domestic and commercial, listed Grades I, II* & II.

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Sarah Khan

Partner

I am a qualified Architect and accredited with the RIBA as a Conservation Architect.  I have worked at Roger Mears Architects (RMA) since 2007. RMA has a strong track record of working in Conservation, something I am deeply passionate about.I am a member of the Society for the Protection of Ancient Buildings (SPAB), an associate […]

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Alan Brown

Partner

I qualified as an architect in 1979, and joined Roger Mears Architects in 2014 after 35 years continuous employment at Architects Co-Partnership (ACP) – as a practice director for the last 10 years. My experience is wide-ranging in domestic, residential, education, custodial, science / research, transport and commercial sectors, including both new build and works […]

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I graduated at Polytechnic of Bari, Southern Italy in 2007, where my studies at the Faculty of Architecture focused principally on conservation and historical context. I later gained experience working on simple and complex dry stone buildings in the Itria Valley, which involved collaboration with craftsmen and clients from abroad. A keen interest in travelling […]

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I graduated at Polytechnic of Bari, Southern Italy, in 2009, with a thesis on the conservation of Mughal Architecture which involved a seven week journey around Rajasthan and Madhya Pradesh. After becoming a Registered Architect at OAPPC of Bari (Bari Architects Registration Board), I worked for a local architectural and engineering practice where I was […]

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My growing interest in buildings and architecture is the result of a process of osmosis over 35 years. When my husband Roger Mears and I bought a derelict watermill in Wales in 1969, I discovered the (then) Wind and Watermills Section of SPAB, and became a life member. My professional experience lies in fine art […]

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